|Just chillin' on the street.|
The second track, Nothing Yet, has a bouncy 8-bit quality that is best described as a Casio and a Nintendo entering a faulty transporter, and winding up with a mix of each other's molecules when they are re-materialized at their destination. The chorus slows a little in feel (is this the right way/or is this the long way down?), then returns to another pokey verse section, a couple of high velocity interludes, and back to a chorus... It's jumpy and unpredictable, but still works as a song.
Winter Walk is next, and it's the slow, pretty song. It maintains a certain velocity due to a 16th note beat, and the EP doesn't loose a shred of momentum. Really pretty vocal harmonies and an almost Irish sounding lead on the instrumental breaks on this tune. Neat drum beat over the instrumental sections too... I'm kinda a sucker for big snares, so I may be biased on that one.
Finally, the EP closes with Grandmom, which starts out with the biggest guitar sound we've heard so far, and quickly falls into a syncopated, riffy, verse. The keyboard lead that takes over once the track straightens out is money. Lost Gloves have this ability to use the transition from a jerky syncopated section into to a straight four feel, like you would used the harmonic dissonance of the dominant 7th to add to the strength of a V- I cadence. Might have lost some of you there with the music theory, but honestly, that's the best way to describe what they are doing.
Hopefully we'll get a chance to set up another showcase with these guys sometime down the line. In the meantime, they are playing this Thursday at Don Pedro to celebrate the release of Don't Get Excited. It should be an excellent night; HBR favorites Paper Fleet are playing as well.
RSVP to that show ---> here.
Purchase the Vinyl from Bandcamp ---> here.
Like Lost Gloves on Facebook ---> here.
And like HBR on Facebook ---> here.
See you at the show... ;)