Ten Tracks + CMJ Anouncement

  It's really been for friggin' ever since I sat down and wrote something, ANYTHING, about actual music. I have a slight amount of free time on my hands, and I wanted to share with you some excellent tunes I came across this summer while working, setting up shows, playing music, etc. Also, I figured some random eyes might find this blog through the 4 Track Challenge, and I wanted to greet them with an article that wasn't about baseball.

OH, and we're throwing a CMJ showcase featuring Ghost Punch, The Planes, pow wow!, Light Therapy, Sunset Guns, and The Black Black. It's going to be a free back-room Legion party. Swing by if you're out and about on 10/24. I'll buy you a beer if you buy me some chicken rings after the show (only half kidding).

Ok, here's an indie-pop heavy (for HBR) ten song playlist of new releases from the spiring/summer. Enjoy!

Clam and what I believe is a DOUBLE RAINBOW.

The Underground pt. 2 (More Underground) - Clam

I love the desperation in Johnny's vocals on the second go around. A noisy crescendo that peaks right as it ends, this is end of summer jam #1. Also, Clam is an excellent live band, I highly recommend catching them. Bonus: there are a ton of interesting videos on their website.




Sleep Alone - The Teen Age

A catchy barroom rocker with some washed out reverb-y lead licks reminiscent of 80's guitar pop. Their next show is at the soon to be shuttered Death by Audio, with Spirit System and HBR favorites Clouder on 10/9. You should be there.




Fake French - Little Racer

The Teen Age's label-mates Little Racer, continue the theme of catchy, simple, but lush sounding tunes. Fake French is minimalist with a lot going on, if that makes sense. It's a simple tune with a rich sonic palette.

Eastern Hollows release video for "Summer's Dead" and hit the studio!

Eastern Hollows are a great local band who are hopefully poised for gaining more popular and critical attention. It seems to be a busy spring for the Brooklyn-based quintet; we were lucky to have them perform at showcase #12 (3/14/14) and hopefully will get them again for a show in the future. Easter Hollows sounds part shoegaze, part C86, and part post-punk. Imagine a poppy guitar driven British band the 80's and add more washy reverb, and better/more modern guitar pedals. They are familiar, but not stale. Interesting enough, but simple enough to be catchy. Jeremy and Travis were nice enough to exchange some emails with me regarding their newest video, which was released last week.

                                 

Hearts Bleed Radio: This starts out with very muted colors, cuts of the city... I was preparing myself for another "band on a roof" video, but it really takes off and becomes colorful and exciting. Where did the inspiration come from? How did the concept evolve?

Jeremy (drums/percussion): The concept and idea evolved naturally from the aesthetic that we have followed on all of our artwork to date - colorful images always involving flowers. The design and artwork all came from Cassandra Gibbons (she is also the unnnamed hooded figure in the video placing the flowers). She is a great artist and has been responsible for all art direction by offering up different samples and concepts for us to choose from. This video was her idea that she developed along with the director, Julian Kauffmann. "Giant paper flowers that grow and eventually take over the entire city" was the main idea.

HBR: The song is titled "Summer's Dead," which I assumed meant "Summer IS Dead." Upon watching the video, I guess it means, "The Dead belonging to Summer." Correct? What is the song about? (and thanks for inadvertently teaching me a grammar lesson)

Travis (lead singer/rhythm guitar/lyric writer): "Well, it was meant as "summer is dead." Not ownership. I thought it could be either depending on the context. Maybe I need a grammar lesson. It was loosely about a Smith's lyric I had always heard wrong and about the time of writing the song. Summer was just ending, getting sentimental about a great summer and that lyric. [Smith's] lyric is: "I want the freedom and the guile"---I always thought it was guide and not guile. This is in "I Won't Share You" I loved the idea of wanting both freedom and guide because that's how I feel all the time. Wanting freedom but then unsure what to do with it.

HBR: How long did it take you guys to shoot? Any interesting stories from production?