Brooklyn - New Jersey Mix Tape Swap

We exchanged mix tapes with CoolDad Music, a NJ based indie rock blog. I'll let Jim take it from here:

Dentist kicks off Jim's playlist.

It's been one of my goals since starting CoolDad Music to bridge some of the too-wide gaps that exist between the Jerseys North and South, between New Jersey and New York, between Asbury Park and Brooklyn. I love seeing and hearing new bands, and I love the idea of bands expanding their sphere of influence beyond their neighborhood and their circle of friends. That was all kind of my motivation for this little "mixtape swap" with Hearts Bleed Radio. I want my readers to hear some of the great bands that Stephen has been championing at his site, and I want to give some great New Jersey bands wider exposure. Even if it's just in a small way. 

This is a compilation that includes Asbury Park bands like surf poppy Dentist, hardcore Hot Blood, party rocking The Battery Electric, modern rocking Smalltalk, and the early aughts indie influenced Prehistoric Forest. It includes New Brunswick bands like poppy basement dwellers ROMP, prolific indie song machine Sink Tapes. Roy Orbitron bring their unconventional song structures from Trenton. Grand Mariner do the surf / garage / punk thing in Howell. The Off White are dirty and gritty all the way down in LBI. Paper Streets are half-Brooklyn / half-Jackson, NJ disciples of all things jangly and classically indie. Almost all of these bands are my friends, and they all deserve to be heard far and wide. 

I hope you like it. Lots of these bands make the occasional incursion into Brooklyn, so keep your eyes peeled. Hey. Come on over to CoolDad Music, and I'll be sure to keep you posted. Thanks for listening. 

-Jim
 CoolDad Music

Check out the mix below! (and check out my mix on CoolDad Music, here)

Talkin' Music Magic With THE SUZAN

  Valentine's Day is in the air, is it not? It's very obviously February outside. Winter fatigue has set in city-wide. A dusting of snow that would have been considered beautiful in December feels about as welcome of pigeon shit falling out of the sky. So it's time for winter's last holiday to rear it's ugly head, pass us by, and allow the springtime healing season of rebirth and romance to engulf us all. As an expert on being single on well, basically every day of the year, I highly recommend going to a show. You don't have to talk to anyone though there will be other people around, it's totally ok to spontaneously dance or stand in the corner and look at your shoes, and there will be all the alcohol you need (and then some).

  We're really exited for the Hearts Bleed Radio 2nd annual Valentine's Day show. Closing out the night is THE SUZAN. Transplants from Japan, they are always an engaging live show, as they transition between bubblegum pop and arty noise assaults. I spoke with Rie, Saori, and Nico via email. Here's the transcript:


Hearts Bleed Radio: Were you exposed to a lot of rock and roll growing up in Japan? Were your parents into it, or was it something you had to find on your own?

THE SUZAN: Rock and Roll is not so major in Japan, so we had to find cool foreign music on internet or music stores on our own.

Rie: My parents loved R&B or Soul music, Dance music.

HBR: Who are your biggest influences?

Rie: The Beatles.

HBR: You guys switch between bouncy pop music and noise punk. Does one style feel more natural than the other?

THE SUZAN: We are genre-less band. We have a lot of styles of music. Last week, we had a studio session, and made a dark heavy rock song. We play the music that we want to play. It's natural.

Talkin' CMJ and evil twins with EULA's Alyse Lamb.

Happy Monday everyone! Hope you're handling the pressures of returning to work, or if you're a barber, hope you're enjoying a day of not cutting hair. Anyhow.. CMJ officially starts tomorrow and we have shows on both Thursday and Saturday! Thursday night's show features a local band that I've known for years, and finally got a chance to book. EULA is a loud, fun band. They aren't "party music," but to me, they are party music. Does that make sense? I guess what I'm saying is that they are a great band to be in a small drunk room with. I sat down with guitarist/singer Alyse Lamb, and had a little chat about random music related things. Here's the transcript:

Hearts Bleed Radio: So we're really pumped to have you guys for 10/17. EULA's sound, to me, kinda rests on a blurry line between indie and punk, and you seem quite comfortable there. What attracts you to loud, aggressive music?

Alyse: I've always been attracted to the physicality of music, probably from my years and years of dance classes. I love to move around to it. But I do need both - the cerebral and the visceral to be fulfilled.

HBR: What's your background in dance?

Alyse: I took ballet from age 4 til about 15, with intermittent modern dance/movement sprinkled here and there. My older sister was a pro so I wanted to be just like her when I was younger. But that all changed when I got a guitar at 12.

HBR: Haha, I think a lot of us know exactly what you mean. Was it love at first sight with the guitar? Did you know that you wanted to be a musician right away?

Alyse. Doing what she does best.

Alyse: I loved all of the classical-romantic-post-impressionistic music I was dancing to so I took piano lessons first... I enjoyed it but it required so much study and attention and I was a bit ADD for it. I tried saxophone and clarinet... very fun instruments. I always knew I wanted to be involved with music, as a professional dancer in a ballet company dancing to it, or actually performing it. The guitar really sealed it for me. I learned I could be physical as well as creative with it.

The Brooklyn What: Genre Hopping Goodness.

Greetings Internetz! The CMJ Music Marathon is only a few weeks away, and we're happy to be bringing you two showcases this year! Our second showcase of the festival at Matchless on Saturday 10/19 features The Brooklyn What, a hard drinking, hard rocking, high energy crowd pleasing, just downright fun band. I had the privilege to sit down with Jamie Frey, the group's lead singer. Here's the transcript:


Hearts Bleed Radio: For starters, can you give me a little background on The Brooklyn What, who were the founding members? How did you meet?

Jamie: The Brooklyn What was founded by myself, Evan O'Donnell, John-Severin Napolillo, Billy Cohen, Douglas Carey and our friend Z-Pac who was briefly our drummer. Pac was my friend from Junior High School, but the rest of the band met at Edward R. Murrow High School, where the lot of us played music together. I played with a few of the guys in my first band, The Jesus Fish Evolution, who were kind of a whacked out version of 90's alternative rock band, but we all were jamming and collaborating by the end of high school. John, Evan and Billy all went away to school, whereas I stayed in Brooklyn, and was writing songs for what I thought was would be a solo record, but when I got a group together to play the tunes over a break from school, simply for want of playing a gig again, we decided to become a band. By our second gig (outside of my parent's basement), Jesse Katz had joined, a schoolmate of Billy's, and we haven't had another drummer since.

HBR: What's it like growing up in Brooklyn, and seeing all these kids move here to play music and be in bands?

Jamie: It has definitely been a confusing experience, and I've had all kinds of feelings about it. Upon starting The Brooklyn What, we played our first gig as the only band on the bill... we did not know any other bands. Our early material, specifically, has a great deal of reaction and bile towards gentrification, and gentrifiers. The initial Williamsburg scene was something we felt entirely left out of, the first song on our first record is "I Don't Wanna Go To Williamsburg." Since then, we've discovered many like minded bands, musicians and audience members, some native of Brooklyn and some not. However, even today, I can't entirely shake that weirdness, of being unusual in my home borough for growing up here. It's still weird to hear the attachment of "Brooklyn band" to people I know are profoundly not from here. I still feel like there's this other scene, in the rest of Brooklyn, someday waiting to burst, from spots most people have not even seen, because they're "too far out."

Roof band fears no one!

HBR: There must be some satisfaction in the fact that people see Brooklyn as like, something other than a dingy little offshoot of Manhattan, right? Despite how annoying the "Brooklyn-Chic" crowd can be, at least people are acknowledging this place.

Whiskey and (Fuzz) Tonic... Check out The Mad Doctors.

  Brooklyn's The Mad Doctors are like, kinda crazy. Not the kind of crazy that comes from mental illness in the traditional sense, more like the kind of insanity that becomes surf rockers who are forced to survive for years in a post-apocalyptic, highly irradiated, desert wasteland. There's a ghoulish, undead, skeleton/zombie overtone to their new EP, Fuzz Tonic. It's almost like three random Reavers picked up instruments and started a band. Overdriven everything rules this recording; you can almost feel the heat coming off the budget preamps as they struggle to maintain the signal over flow and not shit out.

The guys rock the LES.

  Fuzz Tonic borders on punk and surf (Black Magic and Alive and Well are pretty damn surfy), but I would consider their overall sound to be highly aggressive garage rock. They have a Iggy-esque devil-may-care attitude, and back it up squarely with a powerful rhythm section and bluesy guitar riffs that are interesting, but never get too cute.

 This a good album to pre-game with. I'd get a pint of Evan Williams, sit down with a friend, crank Fuzz Tonic, make sure the bottle is empty by the end of the EP, and then roll out to the bars and wreak havoc.

Give it a listen.



Like The Mad Doctors on Facebook ---> here.

Like Hearts Bleed Radio on Facebook --- here.

Low Fat Getting High's BAD YOGA will mess you up! (in a good way)

  Low Fat Getting High is one of those special bands who can appeal to both the hardcore kids and the indie rockers. I guess it's "crossover potential," but that usually applies to country/pop, dance/hip hop, etc. etc. Anyway, Fugazi and Minutemen did that, indie/hardcore thing the best, but Low Fat Getting High sounds nothing like them. LFGH is more of a post-hardcore aural assault (with a lot of grungy/metally elements), with enough carved out melodies and riffs to keep the most song-minded indie kid engaged. A trio, made up of vocalist/guitarist Michael Sincavage, bassist Artie Tan, and drummer Kaleen Reading, LFGH released their first studio produced EP last week.

Artie on the left, Michael on the right... Kaleen's in the back, being lifted towards the heavens.

Tittled "Bad Yoga", it's a real bruiser from start to finish. Despite the howling guitar, I find it to be a real drum driven release. Reading's drums push and pull the piece from "moderate hardcore" to "mud/blood/sludgefest", and hits every step in between.  Let's break it down, track by track.

Better Better Worse is the opening track, and it shows exactly what the band truly is. Huge, pounding drums and tight rhythm guitar and bass. Sincavage's vocals add a grungy flair, but don't seem the least bit derivative. There's a monster guitar riff section towards the end. Bouncy and energetic, though still driving and powerful in a dark sort of way, it's a great start to the EP.



Childhood Friends comes next. Right off the bat I'm struck by the full crunchy mid tones of the guitar. It cuts through the mix extremely well, and gives the bass/drums/vocals plenty of room to operate, while still sounding extremely full. Sincavage screaming "Have you lost your fucking mind?" and the ensuing instrumental section might be my favorite part of the EP. Tan's bass is really solid on this one too.